![]() ![]() ![]() Dry wall repairs are not included here, but have been written about extensively in other contexts. The approaches described in this Brief stress repairs using wet plaster, and traditional materials and techniques that will best assist the preservation of historic plaster walls and ceilings–and their appearance. For both reasons, plaster walls and ceilings contribute to the historic character of the interior and should be left in place and repaired if at all possible. Plaster can also serve as a plain surface for irreplaceable decorative finishes. Of more concern to preservationists, however, original lime and gypsum plaster is part of the building’s historic fabric–its smooth troweled or textured surfaces and subtle contours evoke the presence of America’s earlier craftsmen. A building owner needs to think carefully about the condition of the plaster that remains plaster is often not as badly damaged as it first appears. It resists fire and reduces sound transmission. First, three-coat plaster is unmatched in strength and durability. But there are practical and historical reasons for saving it. Historic plaster may first appear so fraught with problems that its total removal seems the only alternative. This variety and the adaptability of the material to nearly any building size, shape, or configuration meant that plaster was the wall surface chosen for nearly all buildings until the 1930s or 40s. Plaster could be treated in any number of ways: it could receive stenciling, decorative painting, wallpaper, or whitewash. It provided a durable surface that was easy to clean and that could be applied to flat or curved walls and ceilings. Technical Preservation Services (TPS), Heritage Preservation Services Division, National Park Service prepares standards, guidelines, and other educational materials on responsible historic preservation treatments to a broad public.Ī versatile material, plaster could be applied over brick, stone, half-timber, or frame construction. casien and calcimine paints), and silicone.This publication has been prepared pursuant to the National Historic Preservation Act of 1966, as amended, which directs the Secretary of the Interior to develop and make available information concerning historic properties. Weld-Crete® is also used for: bonding setting beds for ceramic tile bonding Portland cement plaster and stucco mixes and to bond to surfaces such as brick, block, tile, marble, metal, glass block, soundly adhered paint (non-soluable in water, i.e. Use Weld-Crete’s® open time to your advantage in bonding to concrete shear walls when you need a time lapse between application of bonding agent, placement of reinforcement steel, placement of formwork and placement of concrete. Weld-Crete® can be “painted on” in a single application 1 hour to 10 days prior to concrete placement. For exterior and interior use, Weld-Crete® will bond new concrete, Portland cement plaster and cementitious mixes to structurally sound concrete floors, walls, columns, beams, steps and ramps. The original chemical concrete bonding agent, Weld-Crete® incorporates polyvinyl acetate homopolymer in a patented formulation. Weld-Crete® bonds new concrete, stucco, tile setting beds and terrazzo to any structurally sound surface, interior or exterior. ![]() Vinyl and Copper Flashing/Control Joint. ![]() Detectable Warning Systems – Alert Panels. ![]()
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